Themes in the History of Cinema
0
2024-2025
01021883
Área Científica do Menor
Portuguese
Face-to-face
SEMESTRIAL
6.0
Elective
1st Cycle Studies
Recommended Prerequisites
NA
Teaching Methods
Classes will be expository and dialogued, including the projection of film excerpts and full-length films and moments of discussion that enable the sustained participation of students. Some classes will have a more practical character, of analysis and study of films and follow-up of the students’ research work.
Learning Outcomes
At the end of the semester, the student should be able: (1) to understand the aesthetic diversity of the art of cinema throughout its history, as well as the original social and cultural contexts of its works; (2) to critically reference the theoretical writings that accompanied its artistic practices; (3) to study and frame films and groups of film in their original historical-artistic context, but also in lineages that go beyond this context, in an independent manner.
Work Placement(s)
NoSyllabus
Developed study on a theme framed from the following major periods:
1. Forerunners
2. Silent Cinema
3. Sound Cinema
4. Modern Cinema
5. Contemporary Cinema
Head Lecturer(s)
Sérgio Emanuel Dias Branco
Assessment Methods
Assessment
Participation in classes: 10.0%
Research work: 40.0%
Frequency: 50.0%
Bibliography
ALLEN, Robert C. e GOMERY, D. 1985. Film History: Theory and Practice. Nova Iorque: Random House.
BERTETTO, P., dir. 2019. Uma História do Cinema: Autores, Filmes, Correntes. Lisboa: Texto & Grafia.
CHAPMAN, J., GLANCY, M. e Harper, S., eds. 2007. The New Film History: Sources, Methods, Approaches. Basingstoke and New York: Palgrave Macmillan.
COOK, P., ed. 2008. The Cinema Book, 2nd edn. Londres: BFI.
DIXON, W. W. e Foster, G. A. 2008. A Short History of Film. Londres: I. B. Tauris.
NOWELL-SMITH, G., ed. 1996. The Oxford History of World Cinema. Oxford e Nova Iorque: Oxford University Press.
SADOUL, G. 1983. História do Cinema Mundial: Da Origem aos Nossos Dias, 3 vols. Lisboa: Livros Horizonte.
STAM, R. 2000. Film Theory: An Introduction. Malden, MA: Blackwell.
THOMPSON, K. e BORDWELL, D. 2018. Film History: An Introduction, 4.ª ed. Nova Iorque: McGraw-Hill.
XAVIER, I., ed. 2008. A Experiência do Cinema, 4.ª ed. São Paulo: Edições Graal.