Workshop of Cinema

Recommended Prerequisites

Not applicable.

Teaching Methods

Presentation of different approaches to cinematographic creation (fiction, documentary, essay). Discussion of filmic examples and authors' work processes. Monitoring and guidance in the creation and development of each proposal, promoting a technical and logistical adaptation while seeking to stimulate an artistic practice allied with critical reflection and individual autonomy.

Learning Outcomes

At the end of the semester, the student should be able to: (1) understand basic concepts and develop practices associated with cinematic creation, based on a theoretical-practical approach; (2) prepare and carry out a cinematographic project (individually or in group), promoting through practice the acquisition of technical and theoretical knowledge for the creation, planning, organization, and consummation of an artistic film project; (3) use image and sound materials and equipment, and editing, after acquiring basic skills for this usage. 

Work Placement(s)

No

Syllabus

1. Adequacy of the development of the proposal for the creation of each project depending on the type (fiction, documentary, essay)

2. Writing, development, production

3. Filming and camera (shots, framing, movements, sequence shot, location, lighting)

4. Sound in the filmic context (direct sound, studio, foley, sound)

6. Editing (editing techniques, editing tools, reflective editing).

Head Lecturer(s)

Miguel Maria George Castelo Mira

Assessment Methods

Assessment
Project: 100.0%

Bibliography

ALTON, J. 2013. Painting with Light. Berkeley, Los Angeles, e Londres: University of California Press.

ALVES, P. e GARCIA, F., eds. 2017. Oficios del cine: manual para prácticas cinematográficas. Madrid: ICONO14 / CITCEM.

AMIEL, V. 2016. Estética da Montagem. Lisboa: Texto & Grafia.

BRICCA, J. 2018. Documentary Editing: Principles & Practice. Londres e Nova Iorque: Routledge.

BRISELANCE, M.-F. e MORIN, J.-C. 2012. Gramática do Cinema. Lisboa: Texto & Grafia.

BROWN, B. 2016. Cinematography: Theory and Practice: Image Making for Cinematographers and Directors, 3.ª ed. Londres e Nova Iorque: Routledge.

CHION, M. 2016. A Audiovisão: Som e Imagem no Cinema. Lisboa: Texto & Grafia.

KATZ, S. 1991. Film Directing Shot by Shot: Visualizing from Concept to Screen. Stoneham, MA: Michael Wise.

MARNER, T. 1980. A Realização Cinematográfica. Lisboa: Edições 70.

RABIGER, M. e HERMANN, C. 2020. Directing the Documentary, 7.ª ed. Londres e Nova Iorque: Routledge.