The Body and its Representation in Contemporary Culture
0
2024-2025
01012682
Área Científica do Menor
Portuguese
Face-to-face
SEMESTRIAL
6.0
Elective
1st Cycle Studies
Recommended Prerequisites
Not applicable.
Teaching Methods
A few classes shall be in the form of lecture, namely, the ones concerning historical context and theoretical framework.
Debate involving the students is the central teaching-learning methodology. Most classes shall focus on the critical analysis of art works representing the human body, in articulation with the reflection offered by critical essays that address issues pertaining the syllabus.
Learning Outcomes
To understand the importance of the human body in contemporary artistic representations;
To understand the epistemological challenges of the act of reading body representations;
To understand the continuities and the ruptures in the formal and political strategies used in body representations;
To understand the processes of legitimation of certain objects as art;
To understand the processes of canon formation and its resulting exclusions;
To learn how to read art critically.
Work Placement(s)
NoSyllabus
The body in contemporary cultures: nature and culture;
The body in contemporary cultures: history and geopolitics;
Body and corporality: hegemonic discourses, perception and critical analysis;
Body and corporality: abstraction, figuration and materiality;
Docile bodies and transgression
Subjectivities and identities inscribed and performed by the body.
Assessment Methods
Assessment
Exam: 100.0%
Bibliography
André, João Maria (2002), “As artes do corpo e o corpo como arte”, in Philosophica, #19/20, 7-26;
Berger, John (1972), Ways of Seeing. London: BBC and Penguin Books.
Cruz, Angélica Lima (2010), “O olhar predador: a arte e a violência do olhar”, in Adriana Bebiano e Maria Irene Ramalho (org.). Revista Crítica de Ciências Sociais. # 89: “Estudos Feministas e cidadania plena”. Coimbra: CES, 71-88.
Jaggar, Alison M. & Bordo, Susan (eds.) (1997), Género, corpo, conhecimento. Trad: Brítta Lemos de Freitas. Rio de Janeiro: Record: Rosa dos Tempos.
Macedo, Ana Gabriela e Francesca Rayner (2011), Género, Cultura Visual e Performance. Antologia Crítica. Braga: Húmus.
Orlan (2016), “Arte Carnal”, eRevista Performatus, Inhumas, ano 4, #15, jan.
Sontag, Susan (2003), Olhando o sofrimento dos outros. Lisboa: Gótica.
Serão ainda facultados artigos atuais sobre as questões atinentes à UC publicados em imprensa cultural de referência.