Knowledge of the English language.
The classes will include presentations and the projection of films (or excerpts) and discussions that enable the sustained participation of students.
1) Understanding the aesthetic diversity of cinema from the last years of the 1920s and 1960s - as well as its social and original cultural contexts.
2) Knowledge of theoretical writings that accompanied such aesthetic practices.
1. The Development of Sound Cinema
1.1. Images and Sounds
1.2. American Classicism I
1.3. French Poetic Realism
1.4. International Vanguards
2. Modernity in the Post-War
2.1. American Classicism II
2.2. Italian Neo-Realism
2.3. The Auteurs
2.4. French New Wave
2.5. Other New Waves
2.6. Direct Cinema
2.7. American Experimentalism
Sérgio Emanuel Dias Branco
Avaliação - Continua
Participação nas aulas: 10.0%
Prova escrita que incide sobre a primeira parte do programa (de tempo aproximado 2 horas): 40.0%
trabalho escrito com 3500 palavras sobre um dos tópicos do programa: 50.0%
Thompson, Kristin e David Bordwell. Film History: An Introduction, 3.ª ed. Nova Iorque: McGraw-Hill, 2009.
Xavier, Ismail, ed. A Experiência do Cinema, 4.ª ed. São Paulo: Edições Graal, 2008.